Crossover Event – Favorite 80s Music Videos, Part 2


I recently posted an article covering my favorite music videos as part of an ’80s Crossover event with the ’80s League. Now, Robert is sharing his favorite video. Please check out our fellow members of the ’80s League who participated in this event:

80s Reboot Overdrive – Podcast and Blog
Killer Kitsch – 1980s Music Videos

 


It Begins with a-ha’sTake On Me

by Robert Mishou

Recently (August 1) MTV celebrated its birthday. Thirty-six years ago the channel that changed pop culture and affected the way all of us listened to – and watched – music played the first notes of The Buggles Video Killed the Radio Star and followed that with Pat Benatar’s You Better Run. The rest, as they say, is history. The channel that many thought could never work definitely worked and influenced music sales for the next two decades. Not everyone liked the shows MTV would add later and not all of them were successful, but that beginning, that core of music videos, concerts, and interviews with the artists left an indelible impression on all of us who sat glued to that cable channel.

Personally, I did not truly watch MTV until I moved back to the United States after living on an army base in Frankfurt, (then) West Germany for six years. Music videos did become a very precious commodity, though. In those years before MTV Europe, friends and/or acquaintances would travel back to the United States for holidays and summer vacations. Whenever anyone came back to the U.S., they always returned to Germany with a six hour VHS tape full of MTV – commercials and all. Those tapes made the rounds and were dubbed and dubbed and dubbed. We watched these videos until the tapes broke. Do not forget that these were the days before YouTube and there was really no other way to get a hold of these sacred clips. I vividly remember the all night sessions of Atari video games (that would later evolve into Commodore 64) with these VHS tapes of MTV rolling in the background. We would be mashing the buttons on the joysticks and singing at the top of our lungs. And when it was not our turn to play, we turned around and watched those videos – and sing at the top of our lungs.

Like most teens in the ‘80s, MTV was a major part of my growing up and I do really miss it now. Just a month ago I was visiting my best friends in Louisville. We did not turn on MTV as that would be a futile effort today. We went to Youtube and found a playlist of ‘80s hair bands and feasted on those classics!

Simply put: MTV helped form me into the adult I am today. Now as I am faced with a crossover event with our fellow ‘80s brothers and sisters, I am able to write about my favorite ‘80s video. There are so many choices, but my choice is an easy one. To me, despite all of the possibilities, my favorite ‘80s video begins and ends with a-ha’s Take On Me.

Yes, I briefly considered a few others like, well, no I really didn’t. a-ha’s song was the first one that popped into my head and stayed there. Yes, I am an a-ha fan. Growing up in Germany in the ‘80s made this a natural. I saw the band in concert in November of 1986 at the Frankfurt Festhalle shortly after the release of their second album Scoundrel Days. I have always felt they have been unfortunately labeled as one-hit-wonders here in the U.S. I know it is true here, but they had twenty consecutive top ten hits on the European continent – just nothing else here. Despite their clearly European sound that is not a rousing success for many here in the States, the video propelled this song to number one for the week of October 19, 1985. I love the song, but there are better, for sure. In 1985 alone Money for Nothing, Power of Love, Shout, and Broken Wings all hit #1 and are all songs that are better. But the videos are not (although Money For Nothing is an extremely close second). Remind yourself and watch the video again:

The story is simple: lonely girl falls for a cute boy in a comic book; boy pulls the girl into the comic book; boy gets into trouble; boy helps girl get back to real world; girl sees boy get beat up; boy escapes the comic book and rejoins girl in real world – that old chestnut. The story is not a complex one, but I do have a preference for videos that tell a story. There is not much time to develop character or plot in three to four minutes, so the video’s creators must rely on archetypes and stock characters and situations, as this one does. It is the creative twist of enhancing a regular comic adventure and combining it with live action that makes this one stand out. The aspect that really makes this one jump out, though, is this combination of drawn scenes and live action scenes within each other – not just as clever cut away edits.

The hero (Hartek), after winking at the girl, reaches out and brings her into his comic book world.

In the above scene lead singer live action Morten Hartek sings the chorus to the comic book version of the girl.

Now reverse the scene as the girl looks amazed at a comic book Hartek. Note that in both stills the panels of the comic book remain, giving the viewer the sense of remaining in the comic book with the characters.

Here, the hero Hartek breaks out of the comic book and into the real world.

Clearly, technology today is way better than it was in 1985, but the creativity used in the creation of this video is a clear hallmark of what videos could be and what they will become. I give the slight edge to a-ha’s video over Dire Straits’ Money for Nothingbecause of the lack of the burgeoning computer technology. I absolutely love both the Dire Straits video and You Might Think by the Cars and the way computer graphics are used. Both are clever and original, but both are also missing the clear story and characterization. Neither have a clear series of events that lead to a true climax. To me, Take On Mecombines the “story-ness” that I love in videos with comic book cartoonish graphics, and live action that is cleanly originally blended in to heighten the overall video experience. All of this packed into a whopping 3 minutes and 43 seconds. It will always be my favorite video of all time.


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